In case you didn’t know, November is National Novel Writing Month (NaNoWriMo, for short). It’s when thousands of would-be novelists and actual novelists pledge themselves to constructing and writing a 50,000+ word novel in 30 days. (That, by the way, is about 1650 words a day, every day, for the entire month.) This year, among those thousands of would-be novelists is me. Surprise, surprise. Continue reading ’4,136 Words Written, 45,864 to Go’
Archive for the 'Writing' Category
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That last month in Fort Lauderdale was a blur, and as quickly as it started it was over. Coming back to Tampa, I feel like my life is restarting after a five year pause. Part of that restart includes my returning to school.
Last night I had a dream, about going back to USF, this time for film. During the entire thing, everything I did was juxtaposed against my experience as a music student, with the worst of moments–those I’d go back and erase, for they brought nothing but ill–being accented most of all. In the end, I awoke with both dread at the idea of going back to school and facing demons, and hope that I could actually be successful in film.
But first and foremost, I’d like to continue further with my writings. Continue reading ‘Seven in the Works’
I’ve been trying to write a new short story lately. I have a great title for it, but the story just isn’t coming. I know what I want to say with it, but therein the problem lies: the complexity of real life is incredibly difficult to achieve in fiction, especially short fiction. Life is so screwed up that if you actually try to create something real to life in literature it seems convoluted, contrived, and simply fake.
I suppose what I’m running into is the creation of multiple, flawed characters whose flaws are first and foremost not readily apparent, but which come into direct conflict.
Actually, when I put it like that it seems very easy. Here’s the quirk: the flaw is actually associated with a specific event. Either it’s amplified by the event (very likely), or it appears as a result of the event (unlikely) or it is embodied by some issue unrelated to the event, but which when the event occurs takes a different form of expression (which most mirrors real-life psychology).
So here’s a question for all the fiction authors out there: how do you handle this sort of interaction? How do you create characters with flaws which fall into the four standard categories [(a) flaws you know that no one knows, (b) flaws you know that everybody knows, (c) flaws others know that you don't know, and (d) flaws that you don't know that nobody knows]? Continue reading ‘Complex Characters: How do You Go About Creating Them? And How Complex is Too Complex?’
[T]ypos will lurk and creep and scuttle on the edges of the text and, despite my best efforts, jump out and wave furiously at everyone as soon as I’m done…
from Neil Gaiman’s Journal.
You know, I should start a “quotes” miniblog or something.
Anyway, I’ve been thinking about what to write. I have the ideas, just not the time to bring them to fruition. Sorry ’bout that. You’ll have something new this week, I promise, even if it’s just a link post. (By the way, click here for good reading.)
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